"That has to be the most aesthetic piece of work I've seen from you. It's beautiful. Congratulations! The textures, the colors, the "movement" in the way you swirl the textures around the pot... Excellent! "~ Paula Denman, Fine Artist
As a child, I had a deep fascination with clay. From the wet, sticky mud of San Francisco Bay, I made pinch pot vases, and then baked them hard in the sun. At 14 years old, while walking the halls of my high during lunch period, I peered into the round window of the Ceramics Room and saw 10 wooden kick wheels. My innerself said, "You need to try THAT!" I went back another lunch time and the door was open. Chris Boyd (Sebastopol based potter) was teaching at the time and invited me in. And in I went and have discovered the most mesmerizing art form ever. I was hooked as the feel of clay in my hands was delicious and soothing. The ability to create 3-dimensional forms out of this substance touched me deeply and awoke the artist within. Since then, I've never stopped in my quest to transform this earthy substance into something that is both functional and decorative.
As clay revolves in my hands and mind– becoming a vase, bowl or whatever shape my hands give to it and it gives to itSELF– I feel an intense bonding experience. The act of centering the clay is so in sync with nature and the Earth. I feel totally at one.
Every ceramic piece I create is a manifestation of its own deep Nature, a merging of the elements Earth, Water, Air, and Fire. Some of my bowls are covered on the outer side with assorted locally found clays that I've dug up and processed into shimmering slips. These clays have an incredible earthy, appearance. For contrast, I use glazes on the inside of the bowl to reflect the celestial galaxies. The glazes always surprise me with their seemingly endless range of color and depth, much like the endless nature of the Universe.
My work is made of commercially manufactured stoneware and porcelain clay. I use commercially manufactured glazes that are non-toxic and food safe. I glaze fire to Cone 5, 2160ºF. My clay slips are from clay that I have personally dug and cleaned.
I took art and ceramics courses at College of San Mateo, Foothill College, City College of San Francisco, San Francisco State University, and Skyline College in San Bruno.
I was a member of Ruby's Clay Studio and Gallery in San Francisco for 18 years and during my years at Ruby’s; I was involved with Open Studios of San Francisco. During my Tenure at Ruby's, I was surrounded by an incredible artist community of professional potters, who gave me the best education of ceramics, in addition to the many workshops of invited guest potters to the studio.
Cori Couture, a once known potter for her exquisite Raku pottery, trained me in the art of throwing large pieces.
I was a tenured professor of ESL at City College of San Francisco for 25 years.
Now that I am retired from teaching ESL, my true artistic dream has emerged. After 50 + years, of being immersed in "mud", I am on a wonderful adventure of creativity.
San Francisco State University M.A.T.E.F.L. 1988
San Francisco State University B.A. (English) 1984
Association of Clay and Glass Artists of California
American Craft Council